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THE BLACK CROWES RELEASE FIRST NEW ALBUM IN SEVEN YEARS, WARPAINT. The album- which is being independently released on the band's own newly-formed Silver Arrow Records, distributed through Stomp in Australia- builds compellingly on the band's trademark adventurous brew of rock, blues, country, soul & gospel. Produced & mixed by Paul Stacey at Allaire Studios, Woodstock, NY, the album features 11 songs, all of which were written by CHRIS & RICH ROBINSON, except " God's Got It" by the Reveren ...
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Combining death metal with anything resembling melody kinda defeats the whole purpose, doesn't it? Guess no one ever bothered to tell the Black Dahlia Murder this heavy metal golden rule, as evidenced by their fourth studio release overall, 2009's Deflorate. But don't be misled: it's not like they're going to be confused anytime soon as power pop champions when it comes to melodic content -- it's a tiny pinch of melody stirred into gallons of brutal extreme metal. The album signals the first app ...
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The Black Dahlia Murder: Trevor Strnad (vocals); Brian Eschbach (guitar, background vocals); John Kempainen (guitar); Ryan " Bart" Williams (bass guitar); Shannon Lucas (drums). The Black Dahlia Murder play a no-bull, classicist style of thrash that gooses the old-school guitar gymnastics of Anthrax with the sizzling modern speed & charred-throat vocals of death metal. NOCTURNAL's 10 tracks whiz by in a powerful display of fleet-fingered axe-wielding from Brian Eschbach & John Kempainen, wi ...
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British version with two bonus tracks. The Black Eyed Peas' fourth outing, MONKEY BUSINESS, picks up right where their platinum-selling breakout album, ELEPHUNK, left off, with the feel of a non-stop party run by an ultra-savvy DJ. " Pump It" opens the disc on a straight sample of Dick Dale's surf classic " Misirlou, as the three MCs of BEP float in & out--sometimes rapid-fire, sometimes measured--with Fergie stepping in on cue to alternately sing softly or with deep, soulful emotion. The P ...
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Though the title of The Black Eyed Peas' suggests their career coming to an end after over 27 million album sales, it actually stands for ' The Energy Never Dies'. The album's producer Will.I. Am has stated that, if anything, the album is the beginning of a new concept, one reflective of the digital download generation. Musically, the group sticks to their established slick, pop-funk sound, with the lead single ' Boom Boom Pow' standing out as a typically boisterous & dramatic hip-hop fusion. ...
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This major-label debut from Austin-based retro soul man Black Joe Lewis is reminiscent of the '60s R&B albums he so clearly adores, right down to its 30-minute playing time. Only one song breaks the four-minute barrier, with the rest at three & some just over two. Fans of the J. Geils Band's initial handful of releases will recognize the same "nuthin' but a house party" influences at work here, with perhaps less blues & more high-octane soul shouting. Lewis' snappy guitar peppers these tunes ...
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Their fifth LP, ' Attack & Release' sees US garage rock duo The Black Keys unleashing another blast of rootsy, bluesy & gutsy songs on eager fans. In a departure from usual form, the duo drafted in Danger Mouse to produce the record, lending the sound a comparably polished quality not present on previous outings. Indeed, ' Attack & Release' is the first Black Keys album to be recorded in a professional studio. Furthermore, ' Things Ain't What They Used To Be' features a duet with country sing ...
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One of the five records of 2002- Village Voice 2003 was the year of THE BLACK KEYS. Their second album THICKFREAKNESS album was hailed by many Aussie scribes as the best release of the year & they blew everyone away with an energy packed live show during their sold out Australian Tour. ...
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This seven-track EP is the Akron, Ohio, blues-rock duo's swan song for esteemed blues label Fat Possum, &, fittingly, it's comprised entirely of songs originally written & performed by the legendary Junior Kimbrough, one of the label's most important discoveries. Kimbrough's hill-country blues had & enormous impact on the Keys, & they treat songs like " Meet Me in the City" & " Keep Your Hands off Her" with the reverence they deserve, while at the same time adding their own sonic embelli ...
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The 4 tracks on this release have never been released on CD before & the fans of THE BLACK KEYS are going to be amazed by some of these recordings. " The Moan" is the ORIGINAL STUDIO VERSION that appears on the Alive 7", with " Have Love Will Travel" on the B side (great rendition of this classic & a different version than the one later recorded for ' Thickfreakness'); " Heavy Soul" is a brilliant alternate version included on the vinyl of ' The Big Come Up', & the STOOGES classic ' No Fun" from ...
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Black Ghosts - Black Ghosts

When Simian disbanded, the majority of the group became Simian Mobile Disco, while former singer Simon Lord hooked up with former Wiseguys producer DJ Touche (aka Theo Keating) and became one half of the Black Ghosts. Though the duo's self-titled debut album is less bouncy and eclectic than Simian's work, Lord's years with that band sharpened his pop skills, and his smooth croon is still immediately recognizable. To be fair to the Black Ghosts, Lord and Touche whip through nearly as many sounds
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    • Supplier: CD WOW UK
    • SKU: 6501837
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    Product Description

    When Simian disbanded, the majority of the group became Simian Mobile Disco, while former singer Simon Lord hooked up with former Wiseguys producer DJ Touche (aka Theo Keating) & became one half of the Black Ghosts. Though the duo's self-titled debut album is less bouncy & eclectic than Simian's work, Lord's years with that band sharpened his pop skills, & his smooth croon is still immediately recognizable. To be fair to the Black Ghosts, Lord & Touche whip through nearly as many sounds

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    Jargon Buster

    Black - A colour which does not emit any colour of the spectrum. Black absorbs all frequencies of the spectrum.
    Sounds - Audible notes that can be heard using ears

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    Page Updated: 2014-03-18 14:15:16

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